英文(wén)備注譯文(wén)：

也(yě)許，将所附人(rén)物(wù)稱為(wèi)女(nǚ)性喜劇(jù∑∑ )演員(yuán)角色中的(de)人(rén)☆λ 物(wù)形象比“女(nǚ)性₹↔喜劇(jù)演員(yuán)”更合适。'♥$β因為(wèi)自(zì)從(cóng)已故皇帝建隆為(wèi)他(tā)的(¶•∞de)一(yī)個(gè)次等妻子(zǐ)娶了(le)一(yī)個(gè)女Ωσσ(nǚ)演員(yuán)後，女(nǚ)性就(jiù)被禁止公開(kāφ↔∑÷i)登台演出。因此，女(nǚ)性角色現(xiàn)在要(yào)麽由男(™×δnán)孩扮演，要(yào)麽由宦官扮演。整件(ji‌↑ €àn)衣服應該是(shì)中國(guó)古代的(de)，實際上(sh∞©₩àng)與今天的(de)沒有(yǒu)太大(dà)的(de)不(‍₽≈₹bù)同。

中國(guó)的(de)年(nián)輕女(nǚ)性γ®♥在頭飾上(shàng)表現(xiàn)出相(xiàng)當的​α©(de)品味和(hé)想象力，頭飾上(shàng)有(yǒu)羽毛、鮮花↕ΩΩ♣(huā)、珠子(zǐ)以及各種形式的(de)金(jīn)屬飾品Ω∞$。

他(tā)們的(de)外(wài)衣繡得(de)很(hěn)華麗(lì)​γ$，通(tōng)常是(shì)他(tā)們自₩¶♥₽(zì)己親手制(zhì)作(zuò)的(de)，他(φ& <tā)們大(dà)部分(fēn)時(shí)間(jiān)都(dōu)♦→是(shì)這(zhè)樣使用(yòng)的(de)。如(rú)←₩≥ε果這(zhè)個(gè)國(guó)家(jiā)沒有(yǒu)嚴格的(deφ↑φβ)風(fēng)俗習(xí)慣，把上(shàng)層階級的(de)女(₩φ  nǚ)性限制(zhì)在自(zì)己的(de)公‌♠寓裡(lǐ)，那(nà)麽當她(tā)們還(hái)是(shì)嬰兒(ér€"<)時(shí)，她(tā)們的(de)腳會(huì)不(bù)自(zì)然地∞'​(dì)抽筋，這(zhè)足以阻止她(tā)們在國( ↔↔€guó)外(wài)活動，因為(wèi)她(tā)們很(hěn)難一(®γ$yī)瘸一(yī)拐地(dì)走著(zhe)：然而，↑>"時(shí)尚的(de)力量是(shì)如(rú)此之大(dà)λ←"，以至于一(yī)個(gè)腳長(cháng)得(de)像自(zì)↔σ然大(dà)小(xiǎo)的(de)女(n÷γǚ)人(rén)會(huì)被鄙視(shì)，立刻被歸類為(wèi)庸俗之輩‌∑。

英文(wén)原文(wén)：

 It is , perhaps , more proper to call the ann★±exed figure ,the representation of a ∑→person in the character of a fα<♥€emale comedian than "a female come÷ ←→dian".   as wom∏​‌↑en have been prohibited<ε♦ from appearing publicly≈✘ on the stage since the • ∞δlate Emperor Kien Lun™₹g , took an actress for one o←$∞©f his inferior wives . Fema &✔∏le characters are now therefore  ♦performed either by boδ♣÷ys or eunuchs . The whole dress is ±εΩsupposed to be that of the"Ω≈∞ ancient Chinese ,and indeed φ✔∑®is not very different from th←±>≠at of the present da >♥y . 

The young ladies of China displa∞¶★y considerable taste and fancy in•∞ their head-dresses , which are m₩γ€≤uch decrated with feathersε‍ , flowers , and beads , as<™" well as metallic ornamentsγ&,in great variety of form .&→​nbsp;

Their outer garments are rich>&ly embroidered , and are g¶←₹∞enerally the work of their own hand ↕β♣s , a great part of their time be÷δ→ing employed in this w$≠πay . If it was not a rigid custom of ​ε₽"the country , to confine to th ©÷eir apartments the better λ™γ>class of females , the unnatu¶§¥ral cramping of theiα↑r feet ,while infants ₹£↓, is quite sufficient to prevent t≤® hem from stirring abroad ,§β₹ as it is with some dificulty they a↑≠₹re able to hobble along : yet suc↑✔©®h is the force of fashion , that a lady↓≤ with her feet of the natural size wou"λld be despised, and at once classed am♦✘ong the vulgar .

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